To Bob Average, amateur holiday photographer
Tuesday, November 14th, 2006Dear Bob,
Before you leave on your trip, please allow me to give you a few tips which might help you come back with the greatest holiday photos you have ever taken.
1. The camera manufacturer labeled it “point and shoot” implying the ease of photo taking from a technological point of view — no more fiddling with manual controls. This, however, doesn’t mean that you will actually get some decent photos without prior thinking for a fraction of a second. So don’t click your finger sore, as this approach will only generate some thick photo albums filled with garbage and a group of irritated fellow tourists. Yes, garbage — just because it’s yours doesn’t make it any less than that.
2. Your average camera’s flash can only illuminate subjects up to about 10, maybe 12 feet (3 to 4 meters) away. For anything farther away or for taking photos through the window of your hotel or bus, please learn how to turn off your flash. Otherwise, not only will your photos be ruined, but it’s plain stupid to use the flash when taking a photo at a distant mountain, at a yacht far away on the open sea, the city lights a few miles below the airplane, and so on. Your flash can’t reach the subject, and can’t illuminate it sufficiently in the darkness.
3. Amazingly, when you hold the camera to take a photo, your feet are still able to move around. Instead of standing frozen in place and leaning backwards in awkward body postures, or asking your family members to move “a bit to the left, no, back to the right a tad, too much, come back, there, smile, no, go back, why can’t you people stand still for a second” for two minutes for each photo, take a few steps back or to a side to reach the angle you want.
This particularily applies to stupid photos you’ve seen of people apparently pushing from a side on the Leaning Tower of Pisa, or holding the Eiffel Tower from its tip, or other idiotic postures you thought were “cool” and plan to reproduce with your own family members. Don’t annoy them (and hundreds of other tourists around) for half an hour until you get that “perfect” shot, telling your subject to move a matter of inches. Shift your body position so the person and the monument align the way you want them to. Don’t forget to label these photos as “Idiot pretending to hold the largest European stadium in his hand” and show them to everyone you know, pay close attention to their actual level of interest.
4. When you plan to visit a large monument, such as the Leaning Tower of Pisa, the Eiffel Tower or the World Trade Center, remember well in advance that you want a photo of that monument. Most likely your average camera doesn’t have a wide angle lens and the monument won’t fit in the frame when you’re two feet from the entrance. No, taking 30 steps back peeping forward through the viewfinder or watching the camera screen in front of you, and without looking whom you’re bumping into, will not be far enough for the monument to fit. If you forgot to take the photo at the right time, just let it go; take the photo on your exit, or buy postcards photographed by professionals.
5. When taking photos of a person a few feet away, don’t aim the camera so his or her head is dead center in the picture. You are allowed to move your eye and look at the whole frame before taking the shot. Learn to frame the person correctly and don’t butcher their feet off while filling the upper half of the photo with the naked sky. The 5 typical framings for a person are: the face, the chest and head, from waist up, knees up and full body; all usually imply that the person’s figure takes up most of the frame, not just the bottom half. In full body photos or groups, always watch the feet and make sure they fit. Don’t cut off the foundation (and, if possible, tip) of a building either.
6. If you bother to take photos, photograph something that is interesting to see even some time later. The photo should be able to speak for itself, to tell a story, to have a main character and make a point. We’re all tired of looking at a photo documentary of everything you have seen on your trip, with the message “This is what I saw.” I’m sure you feel that you feel the need to explain everything in these photos every time you show them to someone. “These are the slippers from the hotel. That’s the standard TV remote control. This is the dull view from the window. Over here we have a blue sky, which is completely different than the blue sky you can see from your own home. Yeah, they also have nice sunsets in Austria; who would have thought? I brought back evidence, though. This photo I took from the bus and it’s a donkey on the side of the road, but the bus moved so I only caught the back legs and you can barely make them out because of the camera shaking-induced blur. Trust me, it was a donkey, even if you can’t see it.” Just stop. Please.
7. Even worse than watching everything on your trip through the camera’s viewfinder and photographing every stupid, insignifiant detail, is taking awkward photos of your head and maybe some piece of body in the forerground, with a tourist attraction poorly framed in the background. Such photos scream “This is proof I went there.” That’s really, really pathetic. Do you need to brand your photos in that way, so they can be returned to their rightful owner in case they get lost, or maybe preventing your co-workers from stealing them and claiming it was their trip? I’m sure your friends will believe that you took the photo even if you’re not in it. Are you part of the overall picture, the surroundings, or a piece of the story you want to transmit through that photo? Do you fear your memory will eventually fail so bad that you need photos to remind you where in the world have you been? Stop embarassing yourself.
8. Keep in mind that you went on holiday to get some peace and relaxation, not to work at getting photos. Pocket your camera and watch the world around you through your own eyes. Breathe the air, experience the different culture, enjoy yourself. Take photos only if you strongly believe they are worth it. Otherwise, buy the nicest of the gazillion postcards available nearly everywhere. Professional photographers have better equipment than you, better knowledge than you, better experience than you; let them do the work for you. Trust me, nobody back home will get pissed if you don’t show them a bad photo of the Great Pyramid, which they have already seen on TV plenty of times, nor will they care about a dark sarcophagus you don’t know anything about. Do yourself a favor and use your camera with moderation; the fact that you own a camera doesn’t mean you have to use it all the time.
Thanks and have a great time!

